Wednesday, November 4, 2015

Shabana Azmi on Smita Patil: "We were similar in many ways, but (alas) could never be friends"



In her tribute to the late actress Smita Patil (October 17, 1955-December 13, 1986),  actress Shabana Azmi recounts:


"We had so much in common; we came from similar backgrounds, were launched by the same director, had similar aesthetics and worked in the same kind of cinema. Today, in public memory Smita and I are so closely bonded together that I feel I could well be Shabana Patil and she Smita Azmi! She had a short career span and yet 29 years after she passed away, parallel cinema in India will never be mentioned without Smita Patil’s name emblazoned in golden letters.


Alas! We could never be friends. The rivalry between us, some of it manufactured by the media and some of it real, caused friction. I’ve said this before and I acknowledge it again that I have been guilty of making uncharitable remarks about her and I regret it. There were efforts at reconciliation and we were able to maintain civility but it never turned into friendship."

Here is the full article:   Shabana Azmi: The Smita Patil I knew 

Another piece on Smita that I felt is a must-read (for its frank overview of her career and persona) is by documentary film maker and writer Gautam Chintamani. He made a pertinent point, I thought, when he said, 

"Perhaps Smita Patil was cut from the same fabric as Waheeda Rehman, the other great from a couple of generations before her, who, like Patil, was relegated to be second to Nargis or Meena Kumari even though her body of work far outdid most. Many a times cinema witnesses artists come in pairs like Satyajit Ray and Mrinal Sen, Naseeruddin Shah and Om Puri, Shabana Azmi and Smita Patil that inspire and push each other but often one of them is preordained to remain in the other’s shadow. Patil’s untimely death may have added an extra veneer of greatness to the actress when compared to Azmi, who often ended up walking off with more critical acclaim in the films the two worked together. 
Patil’s premature death might have made her untouchable but at the same time also subtly changed the trajectory of Azmi’s career by pushing her to a venerable position as an actor before time thereby depriving her of challenges. Patil got enough accolades for her role inArth (1982) and she believed that hers was a far more nuanced character to play than Azmi’s but wasn’t too satisfied with the way the roles were tinkered around midway."

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